“Ruddigore” is Performed with Cuts Restored
When “Ruddygore” premiered in 1887, it suffered from being a let down from the fabulous “Mikado” that appeared before it and from spoofing a genre of melodrama that had fallen out of favor years before. So Gilbert and Sullivan made several cuts and respelled the title to “Ruddigore.” When revived by the D’Oyly Carte Company in 1920, even more cuts were made and the overture was changed.
The BBC version stars two non-singing male leads and makes even more cuts. But now the excellent Seattle Gilbert and Sullivan Society, an amateur group with pretty professional productions, has on DVD a “Ruddigore” from 2011 that not only is a great performance but has the most complete score to date on video,.
Drawing from an opera by August Marschner, “Der Vampyr,” and mostly from Gilbert’s own earlier work, “Ages Ago,” the plot concerns a family curse in which each Lord of Ruddigore must commit a crime a day or “in torture he shall die.” I will not dwell upon the scenario (it is easily gotten from several websites). It is the Seattle production I wish to dwell upon.
The voices are more than adequate for Sullivan’s score. On the other hand, some of Gilbert’s dialogue jokes could be delivered with a bit more speed. Petite Jenny Shotwell makes a properly gold-digging Rose Maybud, John Brooks successfully changes from timid Robin Oakapple to reluctant dastard Ruthven, and Derek Sellers as Dick Dauntless nicely shows how his “heart’s dictates” always seem to work in his favor.
Note: The vampire in the Marschner work is named Ruthven.
Highlights are the double chorus to welcome the “bucks and blades,” the salute to the 4 seasons and of course the fastest patter song of them all.
Dave Ross is a short but villainous Sir Despard (although he could never pass for Ruthven’s younger brother). The priceless contralto Alyce Rogers comes into her own when as Dame Hannah she confronts Ruthven with dagger and sword; while Hollis Heron is properly loony as Mad Margaret. William Darkow makes an impressive ghostly Roderic, and Ron Gangnes’ (Old Adam) basso nicely supports the ensembles.
Many comic touches, not overdone, are created by Director Christine Goff; and Conductor Bernard Kwiram makes the most of the score. I wonder, however, why he does not use the original overture. See this company’s website at www.pattersong.org for information about ordering this and other DVDs in their catalogue. A warning though. The troupe sometimes plays fast and loose with Gilbert’s lyrics. Anachronistic ad libs are not funny and Gilbert does not need help. This “Ruddigore,” however, is free from that nonsense.
The running time is close to 150 minutes and one does miss subtitles!