A “Macbeth” to Avoid
Can you imagine a production of “Macbeth” in which Macbeth gets more laughs than the drunken Porter? Such is the fiasco seen at Shakespeare’s Globe, London, in 2013 when it was decided (it would seemd to perform this great tragedy as a comedy! The results can be seen, if one could stand them, on a Kultur DVD.
Never mind that Macbeth (Joseph Millson) and his Lady Macbeth (Samantha Spiro) simply shout at each other like George and Martha in “Who’s Afraid of Virginia Woolf?” Worse still, Millson throws away great climactic lines (such as “Being gone, I am a man again” when Banquo’s ghost exits) as humorous asides. There is not an ounce of the poetry that makes Shakespeare worth doing. I have seen many a bad production of this play by amateurs, but I never expected to see one this bad by professionals at the restored Globe. Perhaps this director will have a future staging ludicrous versions of operas, which seems to be the fashion nowadays.
The cauldron scene is done without a cauldron and no ingredients to drop into it. Just lot of the smoke to annoy the audience sitting close by. And if Macbeth, as I said, gets more laughs than the drunken Porter, that is also because the Porter gets no laughs at all! Who allowed this production to go through?
And although the notes on the jewel case say there are subtitles in several languages, there are none.