“Cabaret Girl” Sparkles in New Recording

1922 Kern Musical Sparkles in New Recording

   A-OLO-Cabaret GirlThere was once a form of entertainment called the Musical Comedy that actually had both delightful music and a good deal of comedy. Of course, the plots were bubble headed and served mainly as a peg on which to hang the songs. One of the masters of the genre was Jerome Kern, a disciple of Victor Herbert, whose influence on Kern is very obvious in his earlier works.

Of course, “Show Boat” dared to introduce a serious plot into the mix and prepared the ground for “Pal Joey,” “South Pacific,” and later much of what passes for musicals today. But back in 1922, musicals like Kern’s “The Cabaret Girl” were much in vogue. Most have deservedly vanished, but with Kern composing the music and P.G. Wodehouse and George Grossmith working on dialogue and lyrics, the show was heads above most of the others.

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Jerome Kern

Now cut into the 21st century. The Ohio Light Opera has been producing and recording on CDs a good many American and European operettas, with considerable success, most of which I have reviewed in my columns. Now with “The Cabaret Girl” on the Albany label, they have what I consider one of their finer efforts. Since the recording and program notes include all the dialogue, I will pass over the silly plot.

What is most impressive is that just about every song makes one feel good! The comedy songs find their sources in past operettas (Gilbert and Sullivan’s influence is most apparent) as well as vaudeville routines, in particular those of Gallagher and Shean.

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Two of the original cast

Conductor Michael Borowitz brings sparkle to a score that demands it; and even the dialogue flows a little faster than it does in some of the past OLO recordings. Compliments to the leads, among whom are Lindsay O’Neil, Stefan Gordon, Julie Wright, Steven Daigle, and too many others to list here.

The running time of the two CDs is 114 minutes, and for once I wish it could have been longer!

So for lovers of old time songs, students of the American musical theatre, and all who want to revel in things as they used to be—this is a definite Grabbit!

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Scenes from the OLO production (2008)